2.25.2010

Rammstein – The Making Of ‘Ich Tu Dir Weh’ Video


Get the making of the German industrial metal gods latest video inside! Get your Sonisphere tickets here!

Rammstein released their explosive video for the track ‘Ich Tu Dir Weh’ a little while ago and Hammer are delighted to bring you this exclusive video taking you behind the scenes of the making of the clip!

If you didn’t catch the Rammstein shows that took place earlier this year, get a full report here!

Sonisphere Knebworth will take place from July 30th – August 1st and will feature performances from Iron Maiden, Rammstein, Alice Cooper, Motley Crue, The Cult, Iggy & The Stooges, Slayer, Anthrax, Placebo, Bring Me The Horizon, Fear Factory and Henry Rollins with more to be announced.


Here

Rammstein Belarus ban lifted

A Belarusian morality administrator warned earlier today of a performance by the German rock provocateurs Rammstein in Minsk - "they would jeopardize the order of the state." It was merely a private opinion says the Belarusian ambassador in Berlin.

The bands Belarus performance in early March may proceed despite the misgivings of Moralhütern. The Morality Minister in the former Soviet Republic condemned the band from performing yesterday. The Belarussian ambassador in Berlin, Andrei Giro, then drew back all the "speculation" about an alleged ban on the rockers. The concert is on 7 March in the capital, Minsk and the "Minsk-Arena" is virtually sold out, according to the shows organizers.

The controversy around the Rammstein show was was triggered, which is supported by President Alexander Lukashenko. Its chairman Nikolai Tscherginez had accused the band on Monday propaganda for violence, masochism, homosexuality and other perverse "and urged a rejection of the concert."

Ambassador Giro now spoke of a "personal opinion". At the same time Giro pointed out that all the band members had already received there visas.


2.22.2010

Rammstein-"Frühling in Paris" Globe Arena 2010-02-20 HD

Polish? German? Dangerous?

There are not that many people whose shoes I would never like to try on. But one of them is definitely Belarus foreign minister Martynau.

Think of a highly educated person able to fill large shoes. But, Martynau’s function is actually limited to promoting foreign trade. Foreign policy is drafted in the administration of the president. The foreign affairs chief serves as a postman to deliver messages to/from Lukashenka and as a whipping boy during international scandals.

How would a minister explain the newest escalating conflict with the Polish minority? On Friday (February 12) Martynau was in Warsaw to meet his Polish counterpart and to receive a letter to the Belarusian president with a list of proposals what Poland could do, if the Belarusian authorities don’t stop harassing the minority.

Since 2005 there are two Unions of Poles in existance. The head of the government-approved one, who won non-competitive elections, is rumoured not to speak any Polish at all, the head of the unofficial one, Angelika Borys, is supported by Warsaw.

The “reply” to the Polisf letter came right the following Monday (February 15): some 40 Polish minority activists were detained, several immediately faced trial for organising a demonstration a week ago. Borys got a fine of 1 million Belarusian roubles (some €250).

The day after HR Ashton raised her eyebrows about the conflict (February 17), the detentions continued. Are Belarusian Poles so destructive and dangerous?

Who you gonna call? “Hello, Mr Martynau, could you please explain us what …is going on?”

HR Ashton said today (February 22) she would hope to talk to Minister Matrynov about the situation with the Polish minority during presidential inauguration in Kiev on Thursday.

There could be a dozen of unofficial explanations of the status quo: the need of Minsk to take in hand the independent Polish union, to gain full control a year before presidential elections and show everyone who is the boss with a victorious fight against an assumed “enemy.” It could also be Minsk’s way of showing how disillusioned it is with the slow thaw of bilateral relations with the EU. It might be the two wings of power within the regime in dispute over which way to go – East or West? Some Polish experts tend to think it’s Russian PM Putin putting pressure on the EU to see how far it is willing to step into Polish and Russian strategic interests in the region.

Now the concert of German Rammstein is about to be forbidden: The Council on Morals fears that it will destroy nothing less than Belarusian statehood and identity.

Mr Martynau, is the system really so fragile?

Belarus morality watchdog raps planned concert by Rammstein

Belarus morality watchdog raps planned concert by RammsteinMinsk, February 22 (Interfax) - A Belarus morality watchdog that includes several dozen public figures and the leaders of all of the country's principal religious communities, on Monday attacked a planned concert in Minsk by German rock band Rammstein and urged the Belarusian culture minister to review the concert program.

"The decision to bring Rammstein to Minsk is a mistake that may cost us dearly. The council is convinced that the band engages in an undisguised propaganda of homosexuality, masochism and other perversions, brutality, violence, and obscene language," the Council for Public Morality said in a statement.

The council was co-founded in 2009 by the Belarusian Orthodox Church and Belarusian Writers Union with support from Belarusian President Alexander Lukashenko.

It is headed by Writers Union Chairman Nikolai Cherginets and includes the leaders of the country's Orthodox, Roman Catholic, Lutheran, Jewish and Muslim communities and several dozen other public figures.

"I realize that tickets have already been sold for the concert in Minsk. So the program needs a preliminary run-through and an approval so that there is no propaganda of immorality on the Minsk stage," Cherginets said.

"If what is shown during the concert is what the [Public Council for Morality] has been able to see, there will be an inevitable outburst of rapes and brutality in the Belarusian capital," he said.

Interfax has been unable to obtain comments from Rammstein but the organizers of the concert, to be held at the Palace of the Republic, said they had had no official objections against the planned event.

"We have received no official documents to the effect that anyone is dissatisfied with upcoming concert," the organizers said.

"We have had no statements and no one has contacted us except for journalists. There have been no official papers, so there is no reason for comments," they said.

"As soon as there is any signal to us, we will take some action on the basis of the decisions of higher organizations, on the basis of their position," the organizers said. "Everything depends what proposals we will receive from higher bodies."

2.17.2010

Rammstein rocks into town.

READY FOR TAKEOFF: Over-the-top shows, fireworks and heavy metal define the band.

TALLINN - If you are a music devotee and a great fan of German rock group “Rammstein,” then you have the perfect opportunity to be present at one of their greatest concerts, which will take place on Feb. 24, at Saku Arena in Tallinn.
After a four year break, the band has completed a new album and this is the reason why they will visit Estonia again. Rammstein will be performing the songs from the new album, and definitely their old smash hits, too. However, the show details are kept secret.

There is no other band that sounds remotely like Rammstein. The East German sextet’s unique blend of metal, industrial, techno and classical music elements has made it one of Europe’s most successful rock bands, ever since the 1995 release of its debut album “Herzeleid,” which went platinum in several European countries. Rammstein are true entertainers. The band’s amazing show has become a worldwide must-see.

Rammstein takes their name indirectly from the German town of Ramstein-Miesenbach, where on Aug. 28, 1988, the air show disaster happened. The Ramstein air show disaster was one of the world’s deadliest air shows in history. It took place in front of 300,000 people, when 67 spectators and three pilots died, and 346 spectators sustained serious injuries due to the explosion and fire.

Actually, the band’s signature song “Rammstein,” is a commemoration of the disaster. In the short period before the band became well known, they performed under the name “Rammstein-Flugschau,” literally meaning “Rammstein-Airshow.”
Although the majority of their songs are sung in German, Rammstein has had success around the world. Although they are often generalized as “Neue Deutsche Harte,” which means “new German hardness,” their music spans a variety of related styles, including heavy metal, industrial metal, hard rock, electronic music and grunge, with influences of punk rock, pop music and gothic rock. “The New German Hardness,” or NDH, is a hard rock and heavy metal trend that was developed in Germany in the early 1990s. Its signature style combines the distorted sounds of instruments, such as the guitar, drums and keyboard with deep, powerful vocals. Current members of the band are Till Lindemann (lead vocals), Richard Zven Kruspe (lead guitar), Paul H. Landers (rhythm guitar), Oliver “Ollie” Riedel (electric basse), Christopher “Doom” Schneider (drums) and Christian “Flake” Lorenz (keyboards).

The lyrics of Rammstein, and above all their utterances by Lindemann, are an essential element of music and shape the perception by fans and a wider public.
Many of their songs are inspired by real life events such as “Rammstein” (the airshow disaster), “Mein Teil” (The Meiwes Case), “Wiener Blut” (Fritzl case) and others.
Wordplay is a fundamental component of Rammstein’s lyrics. In many instances, the lyrics are phrased such that they can be interpreted in several ways.

Rammstein has achieved particular fame (not to mention notoriety) for its hugely over-the-top stage show, using so many pyrotechnics that fans eventually coined the motto “Other bands play, Rammstein burns!” After an accident on Sept. 27, 1996, in the Arena in Berlin where some burning decoration parts fell on the audience, the band used professionals to handle the pyrotechnics. Till Lindemann, the singer is now a licensed pyrotechnician who spends entire songs engulfed head-to-toe in flames. He has suffered multiple burns on his ears, hair and arms. The heat is so intense that, on occasion, people have been carried out of concerts suffering from heat exhaustion, and lighting gantries have been seen glowing red-hot from repeated fireball hits.

According to Rammstein, the band’s motto is: “Do your own thing. And overdo it!” The aim is to get people’s attention and have fun at the same time. “You have to understand that 99 percent of the people do not understand the lyrics, so you have to come up with something to keep the drama in the show, say band members. We have to do something. We like to have a show; we like to play with fire. We do have a sense of humor. We do laugh about it; we have fun but at the same time we take the music and the lyrics seriously. It’s a combination of humor, theater and our East German culture.”

The New York Times described Rammstein’s music as a “powerful strain of brutally intense rock bringing gale-force music and spectacular theatrics together.” There is scarcely anywhere upon earth where Rammstein have not yet set off their rockets. They are one of the few bands in recent years to have defined themselves largely through their live shows, which in turn are characterized by their vast battery of pyrotechnics, which comes close to a full scale operatic production. Rammstein’s concerts are marked by grand gestures which linger on in the mind’s eye.

Rammstein sings in German. In contrast to most of their colleagues, they never sought to do otherwise. “Why should we?” ask Rammstein. “We wanted to do our own thing, and that has to do with where we come from. And we are from the German nation.”

2.09.2010

Rammstein live photos posted


Credit PR Brown (2009) Live photo's from Rammstein's weekend shows have been posted at The Gauntlet. The shows were the bands return to Germany on their second leg of the tour. You can check out the photo's taken by Kerry Whitbread . For a list of the bands upcoming tour dates, go here.

Rammstein released "Liebe Ist Fur Alle Da" in the US through Vagrant Records. The album debuted at #13 on Billboard, the bands highest debut to date.


Venue: Westfalenhalle, Dortmund Germany
Date: 2010-02-07
Comments: Till Lindemann
Photographer: Kerry Whitbread
Venue: Westfalenhalle, Dortmund Germany
Date: 2010-02-07
Comments: Till Lindemann
Photographer: Kerry Whitbread
Venue: Westfalenhalle, Dortmund Germany
Date: 2010-02-07
Comments: Till Lindemann
Photographer: Kerry Whitbread
Venue: Westfalenhalle, Dortmund Germany
Date: 2010-02-07
Comments: Till Lindemann
Photographer: Kerry Whitbread
Venue: Westfalenhalle, Dortmund Germany
Date: 2010-02-07
Comments: Till Lindemann
Photographer: Kerry Whitbread

Rammstein release second

Ich  Tu Dir Weh single RAMMSTEIN today release a new single in the U.S. entitled "Ich Tu Dir Weh" exclusively through iTunes. The follow-up single to the controversial "Pussy" single/video, "Ich Tu Dir Weh" is taken from the Berlin-based band's critically acclaimed sixth studio album, LIEBE IST FÜR ALLE DA.

The "Ich Tu Dir Weh" single bundle includes four remix bonus tracks and a digital booklet. The entire bundle is $4.99 and the songs are also available for individual purchase.

Rammstein guitarist Richard Kruspe recently sat down for an exclusive video interview with MySpace. The six minute video is interspersed with clips from the band's latest videos, behind-the-scenes shots, and remarkable footage from the band's first of four sold-out Berlin shows in late December in front of over 17,000 fans at the famed Velodrom.

Rammstein released the Jonas Åkerlund-directed video for "Ich Tu Dir Weh" in late December and it is also available as a $1.99 download on iTunes. Although the video is airing internationally, the track will not be released as a single in Gemany, Austria or Switzerland, where it has been subject to a government ban and removed from the album entirely, accompanied by changes to the artwork.

LIEBE IST FÜR ALLE DA, arrived in stores on 10/20/09 through a marketing and distribution arrangement with Vagrant Records and Universal Music Germany. The album was produced by Jacob Hellner and Rammstein with recording done at Northern California's Sonoma Mountain Studio. In the U.S. the album entered the Billboard Charts at #13 - the highest chart entry for the band in the United States ever.

"Ich Tu Dir Weh" Tracklisting:
1) Ich Tu Dir Weh
2) Pussy (Scooter Remix)
3) Rammlied (Devin Townsend Remix)
4) Ich Tu Dir Weh (Smallboy Remix)
5) Ich Tu Dir Weh (F*kkk Off Mix)



Exclusive Rammstein Interview

MySpace Metal | MySpace Video

2.06.2010

Rammstein: Industrial Immolation Live In Manchester

John Robb , February 6th, 2010 12:54

Flamethrowers, exploding babies and a sonic apocalypse: John Robb proclaims Rammstein's current tour the greatest show you will see this year


This is getting ridiculous. How big does a band have to be before it gets recognised?

In a virtually sold out Manchester Arena (that's nearly 20,000 people) Rammstein are in pulverising form, the crowd are going crazy, the atmosphere is electric and the firebombs launching from the stage are like World War Three on apocalypse LSD.

And yet the band is virtually ignored by the mainstream media who are tied up in knots over the world of indie. As a confused journo told me once, they don't cover “this sort of stuff”.

They may have to change the agenda - Rammstein cannot be ignored any longer. For the sheer breadth of their vision, their stunning live show and the fact that their German language records are huge worldwide they have got to be recognized. This fear of industrial/Goth/metal or whatever useless tag you wanna chuck this way has to be dropped.

Tonight sees a band at the peak of their game. The set is mainly cuts from their new album, Liebe Ist Für Alle Da (top 20 in the USA and across Europe - huge in Russia) and still have the place rocking. They were dark, funny and surreal at each turn with a stage show that dwarfs any other.

Now normally I'm a hater of stage shows - phonies like Kiss can kiss my ass, all those props to cover up a rotten band make it even duller. But with Rammstein the fire-breathing, baby-eating apocalyptic stage show is such part and parcel of their schtick that it cannot be brushed aside.

There is, of course, the fire - loads of it - you can feel its heat on your face as another outrageous flame hits the roof. Rammstein breathe it in, they breathe it out, they fire it over the crowd, and at one point a stage invader runs between the band members and they set fire to him- the crowd gasps in disbelief before realising its possibly a pretend torching.



Frontman Til Lindemann Grapples with skinny freak keyboard player, Christian "Flake" Lorenz and shoves him in a tin bath, dousing him from a podium with barrels of fireworks. Lorenz emerges from the bath in a bizarre spangling outfit and spends the rest of the set playing his keys while walking on a treadmill.

Ten minutes later Lindemann sprays the audience with fake spunk from a ten foot cock cannon during the band's sex romp porn single, ‘Pussy' underlining the song's lusty sticky paged grot mag intent. The single, and its sleazoid video were banned from the same terrified mainstream media that has no fear of showing Girls Aloud's bump n'grind pussy-pushing, tit-flapping dance routines before the so called family threshold.

The band take every German stereotype and magnify them before shoving them back into the preconceived notions of Germanic culture. They laugh at the hypocrisy of the so-called guardians of taste like our own dear old Radio One, they ask questions by just being there. By refusing to play their last album, even though it sold enough to be a hit record, the BBC is made to look silly as Rammstein's panzer division powers its way through a worldwide stadium tour.

Of course they could not get away with this if the music was limp, weak or lame, but with the twin guitar assault on 11 out of 10 the band are taking no prisoners, Lindemann's remarkable operatic croon and grubby satanic growl give them the crucial edge. The stomping, pounding grooves become songs, and his charismatic presence dominates the space. They sound really fucking heavy, like Killing Joke before them Rammstein meld techno and trance with their sound, making them eminently danceable.

Killing Joke are a neat comparison. There is that wild-eyed insanity and cutting sense of malevolent wit, that enjoyment of pressing all the wrong buttons and that dance metal distortion thing going on. Misunderstood is how band like this like it. Rammstein sing of porn, cannibalism, death and darkness, they smirk at the confused and they somehow turn it into a monstrous showbizness spectacle.

You have to go and see them.

This is the best show out on the road this year.

2.05.2010

Rammstein rock with stunning gig

Rammstein

LG Arena, Birmingham

Words and pictures by Bob Greaves

Rammstein make a spectacular entrance

Rammstein make a spectacular entrance

Rammstein thrilled a near capacity crowd at Birmingham’s LG Arena with a storming blend of high-octane music and stage showmanship.

Their top drawer show brilliantly mixed aggressive, hard-edged rock with outlandish theatrics.
Vocalist Till Lindemann fronted the combined forces of Richard Z. Kruspe (lead guitar, backing vocals), Paul H. Landers (rhythm guitar, backing vocals), Oliver “Ollie” Riedel (bass guitar), Christoph “Doom” Schneider (drums, percussion), Christian “Flake” Lorenz (keyboards, samples) on a total assault of the senses.

The band provided renditions of their doom anthems new and old, hammered-out to pyrotechnics, thunderflashes and lighting rig exuberance galore.

It is testament to this German industrial metal band’s appeal and great success, that they manage to play sell-out arena shows in the UK, with their lyrics being almost entirely in their native tongue

Few members of the audience would be able to decipher song titles like Rammlied, Buckstabu, Waidmann, Keine Lust, Weisses Fleisch, Du Hast, Haifisch and others, let alone work out the lyrics.
Rammstein put the drama back into live music. In an age of play-it-safe live music, few bands combine 30-foot flame throwers, lazers, foam cannons, exploding toy dolls and keyboard players who surf the audience in inflatable dinghies carrying a Union Jack?

Vocalist Till Lindemann

Vocalist Till Lindemann

Guitarist Richard Krupse takes centre stage

Guitarist Richard Krupse takes centre stage

Guitarist Paul Landers thrills the crowd

Guitarist Paul Landers thrills the crowd

Stepping out in style; Rammstein at the LG Arena

Stepping out in style; Rammstein at the LG Arena

Guitarist Paul Landers

Guitarist Paul Landers

Rammstein burn, other bands just play

Rammstein burn, other bands just play

Holey Moley. Rammstein's pyrotechnics dazzled

Holey Moley. Rammstein's pyrotechnics dazzled

Guitarist Richard Kruspe

Guitarist Richard Kruspe


Shock and awe rules ok for Rammstein

By David Smyth, Evening Standard 05.02.10

rammstein

Good dirty fun: Till Lindemann leads the spectacular Rammstein show

After six albums, German pyromaniacs Rammstein can still shock. Their latest release, Liebe ist für alle da, can only be sold under the counter to over-18s in their home country.

The German authorities objected to the sleeve, on which the sextet seemed primed to dissect a nude woman, and particularly the violent lyrics of the song Ich tu dir Weh (I Want to Hurt You). And that’s without considering the special edition, a box set containing six pink sex toys purportedly modelled on the band’s own members.

An evening spent with them in concert, however, should dispel any perceived threat to society’s moral fabric. At their first London show in five years they were hilarious — camp cartoon characters as vicious as Tom and Jerry.

It probably helped that non-German speakers missed out on barrel-chested frontman Till Lindemann’s lyrics. Instead his guttural roars spread a general sense of doom without specifics.
Low, juddering guitars amplified the ear-bashing but the sound was lifted on tracks such as Du hast by Flake Lorenz’s synthesised atmospherics.

Even if you find the industrial metal sound as appealing as a Black & Decker sander to the earlobe, the astounding spectacle showed why Rammstein are huge across Europe. We were never more than five minutes from a fireball, some of them so large that I’m sure my eyelashes are shorter today. Baby dolls fired green lasers into the audience before exploding one by one.

Lindemann shot jets of flame from a contraption attached to his mouth while still singing, then set fire to a fake stage invader during Benzin.

At the climax of Pussy he sat astride a giant pink cannon and ejaculated foam into the front rows, at which point it was no longer possible to find him scary. It was good dirty fun all the way.

2.04.2010

Previously banned Rammstein single to be released in U.S.

Previously banned Rammstein single to be released in U.S.

What if I were to tell you that Europeans are going soft and that Americans are becoming more tolerant of vulgarity in their everyday lives? The latter is apparent in shows like South Park, namely the groundbreaking episode “It Hits the Fan” where the word “shit” is spoken and tallied 162 times. To say Europeans are going soft though just wouldn’t fit the bill. In a country where pornography can be seen alongside the evening news, the level of tolerance in German culture, as well as in Germany’s neighboring countries, is far more mature than that of the United States. So why is Rammstein’s newest single, “Ich Tu Dir Weh”, being sold in the U.S. when it was previously banned in Germany, Austria, and Switzerland?

Perhaps the language barrier isn’t actually barring anything in the English-speaking world, but it is what’s putting the single on our shelves, well, digital shelves. The U.S.’s approach of slapping a Parental Advisory sticker on an album always seemed to be formulaic: 1 album + the 7 dirty words “x” number of times = 1 Parental Advisory sticker for explicit lyrics. Translate the lyrics of “Ich Tu Dir Weh” (”I Want To Hurt You”) to English and you won’t find one of the seven dirty words, just a lot of suggestive language.

In Rammstein’s homeland, the German Federal Office for the Examination of Media Harmful to Young People believed the song, and subsequently its containing LP, to be too offensive, thus preventing the album from being openly displayed or sold to minors. The organization wasn’t too fond of the album’s first single, “Pussy”, either.

That said, “Ich Tu Dir Weh” will be released in the U.S, exclusively through iTunes, on February 9th. It contains the original mix of the song from the band’s sixth LP, Liebe Ist Für Alle Da. Also included on the single are two remixes of the title track and a pair of other rehashes from the album. A digital artwork booklet will accompany the release.

Sales-wise, Rammstein is doing as well as they’ve ever done in the Unites States. Liebe Ist Für Alle Da entered the U.S. Billboard charts at #13, the highest chart entry ever for the band in the land of Coca-Cola and Wonderbras. What’s more, as confirmed recently by drummer Cristoph Schneider, the band plans to tour the U.S. this fall. Rock on Rammstein! Now if you could only find a way to get your flamethrowers stateside!




Ich Tu Dir Weh Tracklist:
01. Ich Tu Dir Weh
02. Pussy (Scooter Remix)
03. Rammlied (Devin Townsend Remix)
04. Ich Tu Dir Weh (Smallboy Remix)
05. Ich Tu Dir Weh (F*kkk Off Mix)

Rammstein like it hot at LG concert

Rammstein like it hot at LG concert

Rammstein
LG Arena, Birmingham NEC

There may have been a winter chill outside but Birmingham’s LG Arena was turned into a furnace inside as German rockers Rammstein made an explosive return to the Midlands.

“Other bands play, Rammstein burn” is a motto the six-piece band more than lived up to last night, with an astonishing array of pyrotechnics deployed throughout almost the entire 100-minute show in front of 15,000 delirious fans.

camera_ss4.gif See our concert photo gallery

The music was equally intense, a barrage of industrial metal guitars, stabbing symphonic synths and Till Linderman’s vocals, part whispered, part growled, part bellowed . . . and mostly in German.

From flamethrowers to firebombs, exploding babies and towers of flame, they seem to set off more effects in one song than Kiss use in an entire show!

There was even time to set one errant “fan” ablaze and pour a vat of fire over bonkers keyboard player Christian “Flake” Lorenz, not to mention the rather naughty foam cannon during the one English language song in the set (which this review can’t mention because it breaks Parental Guidance laws).

With a set that included most of the band’s latest album, Liebe Ist Für Alle Da, as well as crowd favourites Kleine Lust, Du Hast and Engel there were plenty of opportunities for the Birmingham crowd to sing along, apparently in word perfect Deutsch.

Engel (German for Angel) saw Linderman sporting enormous, metallic angel’s wings which bellowed giant explosions of fire. Truly a gig like no other.

Final novel ITDW: 09/02 release and leakage at the end of jan.


"Rammreaders," here comes the end a novel called Ich tu dir weh ... The single can now be found on the web since late January, for general leaked! However, their fifth full yet not down the drain, but is expected to appear in iTunes soon. The long awaited tracklisting, moreover, is seen>> here.

In another way the Autobahn Rammstein, The Gauntlet website published in 28/01, an already boring and not less informative news about the ITDW. Besides the usual "reports" on the compact prices, complaints by the German, Austrian and Swiss and ranking LIFAD the U.S. market, the site ran more than a change in the official release date of Ich tu dir weh: 09 February 2010.